Sergei Chekhonin’s Dish The Horror (1922): An Allegory of the Revolution Destroying Orthodoxy
The article continues the author’s series of publications about the works of the early Soviet porcelain. As it is known, after the October Revolution of 1917, the themes of the porcelain works produced were gradually reduced to agitation and propaganda for the new government. The dish The Horror, cr...
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| Format: | Article |
| Language: | English |
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State Institute for Art Studies
2024-12-01
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| Series: | Художественная культура |
| Subjects: | |
| Online Access: | https://artculturestudies.sias.ru/upload/iblock/74c/annc5f2dedmb4a8wibw60v2hq88cqltj/hk_2024_4_254.pdf |
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