(Re)producing an ‘Islamic-Byzantine’ Artist
This article challenges the interpretation of Fahrelnissa Zeid’s (1901–1991) mid-century abstract production as influenced by Islamic and Byzantine art. The study analyzes culturalist presentations of the artist’s exhibitions in Paris galleries (1949–1969) and later international exhibitions (1990–2...
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| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
Bern Open Publishing
2025-05-01
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| Series: | Manazir Journal |
| Subjects: | |
| Online Access: | https://bop.unibe.ch/manazir/article/view/11469 |
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