Theatrum orbis miraculum. G.B. Aleotti tra teorie e prassi teatrali
The paper focuses on some strategies of composition in Aleotti’s theatre by analysing ideological context and working practices. The examples drawn from “Nozze Pio-Farnese” in 1587 and Aleotti’s tournaments in 1610 and 1612 outline a stage language that shaped the Farnese theatre.
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Ferrara
2019-12-01
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| Series: | Annali Online dell'Università di Ferrara. Sezione Lettere |
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