The Divine Comedy (Hell) through Aristotelian ethics and Thomistic ontology

The first part of the Divine Comedy, the Inferno, should be interpreted through the prism of the Aristotelian conception of virtue. Against all expectations, Dante did not base his work on virtue as defined by Catholic morality, which makes his work seem less guided by established principles, even...

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Bibliographic Details
Main Author: Boštjan Marko Turk
Format: Article
Language:English
Published: PAGEPress Scientific Publications 2024-09-01
Series:Proceedings (European Academy of Sciences and Arts)
Subjects:
Online Access:https://www.peasa.eu/site/article/view/35
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