“Revenge is never a straight Line:” Whitewashing Blackness, Blaxploitation and the Development of White Imagery in Tarantino’s Django Unchained
Despite its release dates back to 2012, Tarantino’s Django Unchained remains one of the most visual and memorable cinematic representations of slavery in American cinema. The film’s release inaugurated a long narrative cycle in Hollywood of bold portrayals of slavery on the big screen. However, Tara...
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| Format: | Article |
| Language: | deu |
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Istanbul University Press
2024-12-01
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| Series: | Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi |
| Subjects: | |
| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/E68F7025766C4EE0A5BA6AFC459909E3 |
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