“Revenge is never a straight Line:” Whitewashing Blackness, Blaxploitation and the Development of White Imagery in Tarantino’s Django Unchained

Despite its release dates back to 2012, Tarantino’s Django Unchained remains one of the most visual and memorable cinematic representations of slavery in American cinema. The film’s release inaugurated a long narrative cycle in Hollywood of bold portrayals of slavery on the big screen. However, Tara...

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Bibliographic Details
Main Author: Beatrice Melodia Festa
Format: Article
Language:deu
Published: Istanbul University Press 2024-12-01
Series:Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi
Subjects:
Online Access:https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/E68F7025766C4EE0A5BA6AFC459909E3
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