La musique et le mal : possession diabolique dans Trilby (1894) de George du Maurier et The Lost Stradivarius (1895) de John Falkner Meade
These two fin-de-siècle fantastic novels present music (opera-singing in Trilby and violin-playing in The Lost Stradivarius) as a supernatural agent enabling the singer or player to get access to a superhuman status and transcendental dimension. However, the function of music in these books is utter...
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| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2004-04-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/16451 |
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