Liminal lieux de mémoire
This article examines the representation of postcolonial memory in Tony Gatlif’s 2004 film Exils / Exiles. The constant movement that occurs in the film through travel, music, and dance reinforces the permanent dislocation of the film’s pied-noir and beurette protagonists. The film’s road-movie narr...
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| Format: | Article |
| Language: | English |
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Liverpool University Press
2021-06-01
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| Series: | Francosphères |
| Subjects: | |
| Online Access: | http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2021.6 |
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