Rhapsodie flaubertienne. Le tempo discursif dans Madame Bovary
Flaubert’s literary practice reveals his obsessive desire for a sentence that must be like a ‘good verse, unchanging, as rhythmic, as sonorous’. This work of stylistic finesse is interwoven with the work of representing the characters’speech. By focusing on enunciative tempo, we want to examine how...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2025-05-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | https://journals.openedition.org/flaubert/6504 |
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