Quasi-Objects of Art-Architecture in Exhibit: Revisiting Mulino Stucky Project As a Transversal Exhibition in The Venice Biennale of 1975
In the late 1960s and 70s, architects and artists blurred disciplinary boundaries, with architects exploring installation as a form of spatial production and artists using architectonic forms. This practice, described as “making (for) the exhibition,” flattens disciplinary hierarchies and highlights...
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| Format: | Article |
| Language: | English |
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Karadeniz Teknik Üniversitesi
2025-01-01
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| Series: | Livenarch+ Journal |
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| Online Access: | https://dergipark.org.tr/tr/download/article-file/4331133 |
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