De la scène au tableau : modalités de passage du théâtre à la peinture dans trois tableaux de Johan Zoffany
This article is a detailed study of three paintings by Johan Zoffany (1733-1810). Their subject is the performance of three plays, The Farmer’s Return, The Provok’d Wife and The Alchymist. In order to show how the transfer from theatrical mode to pictorial mode operates, this study uses two categori...
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| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2015-07-01
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| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/2463 |
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