The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts
Since the beginning of the twentieth century, Mexico's political and social context has influenced a body of performance artworks rich in activist connotations, full of black humor and references to the violence and injustice surrounding. How do we, conservators, find ourselves implicated in th...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2024-10-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/8791 |
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| _version_ | 1832578075565490176 |
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| author | Juan Gerardo Ugalde Salinas |
| author_facet | Juan Gerardo Ugalde Salinas |
| author_sort | Juan Gerardo Ugalde Salinas |
| collection | DOAJ |
| description | Since the beginning of the twentieth century, Mexico's political and social context has influenced a body of performance artworks rich in activist connotations, full of black humor and references to the violence and injustice surrounding. How do we, conservators, find ourselves implicated in these dynamics that involve creativity and sensibility arising in the face of chance of collective memory? This text revisits some considerations on the treatment and conservation of these very specific works, decanted to the movements of Latin American artistic autonomy, and which in a consensus between specialists and artists, may find in orality and “assisted” disappearance a chance to ensure their perpetuity. |
| format | Article |
| id | doaj-art-dd3e77ced9c84d0581c1d94695a1a648 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2024-10-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-dd3e77ced9c84d0581c1d94695a1a6482025-01-30T14:14:37ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922024-10-011310.4000/12ldeThe Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative artsJuan Gerardo Ugalde SalinasSince the beginning of the twentieth century, Mexico's political and social context has influenced a body of performance artworks rich in activist connotations, full of black humor and references to the violence and injustice surrounding. How do we, conservators, find ourselves implicated in these dynamics that involve creativity and sensibility arising in the face of chance of collective memory? This text revisits some considerations on the treatment and conservation of these very specific works, decanted to the movements of Latin American artistic autonomy, and which in a consensus between specialists and artists, may find in orality and “assisted” disappearance a chance to ensure their perpetuity.https://journals.openedition.org/ceroart/8791conservationperformancelossMexicoorality |
| spellingShingle | Juan Gerardo Ugalde Salinas The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts CeROArt : Conservation, Exposition, Restauration d'Objets d'Art conservation performance loss Mexico orality |
| title | The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts |
| title_full | The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts |
| title_fullStr | The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts |
| title_full_unstemmed | The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts |
| title_short | The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts |
| title_sort | word become flesh wild orality and palliative conservation for the mexican performative arts |
| topic | conservation performance loss Mexico orality |
| url | https://journals.openedition.org/ceroart/8791 |
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