Feminine Endings in The Duchess of Malfi
This article takes as its starting point a convention in prosody that stylistically pushes the feminine and femininity to the margin of the poetic line and excludes them from the metrical norm. Extending that principle to the play, it offers a reflection on the way endings are made distinct for fema...
Saved in:
Main Author: | Ladan Niayesh |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2019-01-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/7182 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
"The Duchess’ cabinet": Objets domestiques et construction de la personne dans La Duchesse d’Amalfi de John Webster
by: Anne-Marie Miller-Blaise
Published: (2019-01-01) -
The Duchess of Malfi from Page to Stage: Professor Gisèle Venet talks to director Cecilia Dorland and actors Jack Christie and Pip Brignall
by: Cecilia Dorland, et al.
Published: (2019-01-01) -
La Duchesse d’Amalfi et la Querelle des femmes
by: Anny Crunelle Vanrigh
Published: (2019-01-01) -
Le puits de ténèbres — Rencontre avec Guillaume Séverac-Schmitz, metteur en scène, et Clément Camar-Mercier, traducteur et dramaturge, autour de La Duchesse d’Amalfi (Création, Cratère Scène nationale, Alès, janvier 2019)
by: Line Cottegnies, et al.
Published: (2019-01-01) -
‘I am Duchess of Malfi still’: A Review of The Duchess of Malfi, directed by Maria Aberg, The Royal Shakespeare Company (Swan Theatre, Stratford-Upon-Avon, 2018)
by: Jyotsna G. Singh
Published: (2019-01-01)