“We call ourselves lords of the creation” : hubris masculin et apocalypse féminine dans The Last Man de Mary Shelley
The aim of this article is to highlight the proto-ecofeminist undertones of Mary Shelley’s 1826 novel The Last Man. The novel depicts the annihilation of humankind due to a mysterious plague spreading at the end of the 21st century. The plague is associated to a feminine principle and appears to be...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2022-04-01
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| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/10284 |
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