Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche)
The text that follows, examines how the esthetic-poetics of Roxana Miranda Rupailaf materializes a discursive place from and to the abject, capable of threatening the homogeneity of the founding myths of Judeo-Christian tradition. If the abject problematized identities once the limits are crossed, w...
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Language: | fra |
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MSH Paris Nord
2014-12-01
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Series: | Appareil |
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Online Access: | https://journals.openedition.org/appareil/2121 |
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author | Claudia Arellano Hermosilla |
author_facet | Claudia Arellano Hermosilla |
author_sort | Claudia Arellano Hermosilla |
collection | DOAJ |
description | The text that follows, examines how the esthetic-poetics of Roxana Miranda Rupailaf materializes a discursive place from and to the abject, capable of threatening the homogeneity of the founding myths of Judeo-Christian tradition. If the abject problematized identities once the limits are crossed, what is at stake would be the construction of new subjectivities, always in a continuous process of production and reproduction of symbolic capital. It is through the power of literature that we can rebuild the assemblies of historically made speeches and load them again with meanings. |
format | Article |
id | doaj-art-c2ec605862e24059836ad52723363ded |
institution | Kabale University |
issn | 2101-0714 |
language | fra |
publishDate | 2014-12-01 |
publisher | MSH Paris Nord |
record_format | Article |
series | Appareil |
spelling | doaj-art-c2ec605862e24059836ad52723363ded2025-01-10T14:20:09ZfraMSH Paris NordAppareil2101-07142014-12-011410.4000/appareil.2121Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche)Claudia Arellano HermosillaThe text that follows, examines how the esthetic-poetics of Roxana Miranda Rupailaf materializes a discursive place from and to the abject, capable of threatening the homogeneity of the founding myths of Judeo-Christian tradition. If the abject problematized identities once the limits are crossed, what is at stake would be the construction of new subjectivities, always in a continuous process of production and reproduction of symbolic capital. It is through the power of literature that we can rebuild the assemblies of historically made speeches and load them again with meanings.https://journals.openedition.org/appareil/2121montagemytheréécriturecolonialitéidentité féminine |
spellingShingle | Claudia Arellano Hermosilla Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) Appareil montage mythe réécriture colonialité identité féminine |
title | Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) |
title_full | Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) |
title_fullStr | Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) |
title_full_unstemmed | Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) |
title_short | Le « montage » dans l’esthétique poétique de Roxana Miranda Rupailaf (poète Mapuche Huilliche) |
title_sort | le montage dans l esthetique poetique de roxana miranda rupailaf poete mapuche huilliche |
topic | montage mythe réécriture colonialité identité féminine |
url | https://journals.openedition.org/appareil/2121 |
work_keys_str_mv | AT claudiaarellanohermosilla lemontagedanslesthetiquepoetiquederoxanamirandarupailafpoetemapuchehuilliche |