„Do you think the end is close?”. Late-modernism, the spirit of cinema and Andrzej Wajda's ”The Wedding”
The aim of the article is to place Andrzej Wajda’s work from the early 1970s in the late-moderist trend developing in Polish film at that time. The best example of this is The Wedding (1972), which implements modernist strategies of subjectification, self-reflection and stylisation at the artistic a...
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| Main Author: | |
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| Format: | Article |
| Language: | Polish |
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Adam Mickiewicz University
2017-12-01
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| Series: | Przestrzenie Teorii |
| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/10369 |
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| Summary: | The aim of the article is to place Andrzej Wajda’s work from the early 1970s in the late-moderist trend developing in Polish film at that time. The best example of this is The Wedding (1972), which implements modernist strategies of subjectification, self-reflection and stylisation at the artistic and narrative level. The presence of ghosts in this film especially leads to a theoretical discussion on the spectral nature of the medium of film. |
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| ISSN: | 1644-6763 2450-5765 |