„Do you think the end is close?”. Late-modernism, the spirit of cinema and Andrzej Wajda's ”The Wedding”

The aim of the article is to place Andrzej Wajda’s work from the early 1970s in the late-moderist trend developing in Polish film at that time. The best example of this is The Wedding (1972), which implements modernist strategies of subjectification, self-reflection and stylisation at the artistic a...

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Bibliographic Details
Main Author: Miłosz Stelmach
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2017-12-01
Series:Przestrzenie Teorii
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/10369
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