One Long Kiss: Paul Shrader’s <i>First Reformed</i> and a Cinematic Theology
Against the backdrop of the dialogue between theology, cinema, and image culture more broadly, this article explores Paul Schrader’s 2017 film <i>First Reformed</i> as an experiment in cinematic theology. His 1972 work <i>Transcendental Style in Film: Ozu, Bresson, Dreyer</i>...
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| Format: | Article |
| Language: | English |
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MDPI AG
2024-12-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/15/12/1480 |
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