Entrecroisements transatlantiques : les expositions de Lasar Segall et leur réception en Allemagne, au Brésil et en France dans les années 1920 et 1930
Since the 1990s various approaches have challenged the conceptual category of modernism as a European phenomenon and sought to rewrite the history of modern art as a history of global interconnectivity. Hence the growing awareness of the importance of migrant and exiled artists. In this context, the...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Maison des Science de l'Homme
2024-11-01
|
| Series: | Brésil(s) |
| Subjects: | |
| Online Access: | https://journals.openedition.org/bresils/18827 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|