Dialectic of Revelation and Concealment: A Representation of the Face as an Aesthetic Landscape in the Film Shirin (2008)
In Shirin (2008), Abbas Kiarostami places several of Iran’s female cinema stars in the position of spectators and records their reactions to a hypothetical film through predominantly close-up shots. Kiarostami transforms these distinctive faces into objects of aesthetic contemplation and artistic re...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Nazar
2024-07-01
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| Series: | هنر و تمدن شرق |
| Subjects: | |
| Online Access: | http://www.jaco-sj.com/article_195099_078cd37134cd0e33550a56c1b83cf797.pdf |
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