Visual narrative structure and Cinematic Continuity in Samuel Beckett’s Act Without Words I
The present paper aims at exploring the 2000 filmed version of Samuel Beckett’s mime, Act Without Words I, in the light of Neil Cohn’s theory of Visual Narrative Grammar and Tim Smith’s Attentional Theory of Cinematic Continuity. Act Without Words I demonstrates, in an unmatched manner, the power of...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2024-12-01
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| Series: | Cogent Arts & Humanities |
| Subjects: | |
| Online Access: | https://www.tandfonline.com/doi/10.1080/23311983.2024.2382557 |
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