The Art of Forgetting: Reading the 1974 Venice Biennale

Since its conception in 1895, the Venice Biennale’s origins have been rooted in imperialism, promoting nation-building, accumulation of capital, and colonial ideals of difference through international separation. However, in 1974, a wrench was thrown in the Biennale’s traditional approach. Rather t...

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Bibliographic Details
Main Author: Madeline Collins
Format: Article
Language:English
Published: Centro de Diseño, Cine y Television 2025-05-01
Series:Economia Creativa
Subjects:
Online Access:https://ciecpress.centro.edu.mx/ojs/index.php/CentroTI/article/view/744
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