The Art of Forgetting: Reading the 1974 Venice Biennale
Since its conception in 1895, the Venice Biennale’s origins have been rooted in imperialism, promoting nation-building, accumulation of capital, and colonial ideals of difference through international separation. However, in 1974, a wrench was thrown in the Biennale’s traditional approach. Rather t...
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| Format: | Article |
| Language: | English |
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Centro de Diseño, Cine y Television
2025-05-01
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| Series: | Economia Creativa |
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| Online Access: | https://ciecpress.centro.edu.mx/ojs/index.php/CentroTI/article/view/744 |
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