La précarité dans la photographie contemporaine : le sujet comme médium
The essay suggests an aesthetic consideration about the contemporary representation of social and economic precariousness. The analysis focuses on three contemporary photographs by Tom Hunter (Woman Reading a Possession Order), Jeff Wall (Insomnia) and Andreas Gursky (Nha Trang Vietnam): the photogr...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2021-10-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/10974 |
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