After Great Pain The Uses of Religious Folklore in Kenji Mizoguchi’s SANSHO THE BAILIFF (JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964)
This article studies the adaptations and applications of religious folklore in two masterworks of Japanese cinema: Kenji Mizoguchi’s SANSHO DAYU (SANSHO THE BAILIFF, JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964). While academic approaches will often draw a strict line between narrative genres and d...
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| Format: | Article |
| Language: | English |
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Karl Franzens Universität Graz
2023-11-01
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| Series: | Journal for Religion, Film and Media |
| Subjects: | |
| Online Access: | https://resolver.obvsg.at/urn:nbn:at:at-ubg:4-47615 |
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