Spontaneity on parole

In recent years, participation and interactivity have become two key words in the vocabulary of art criticism. It is not by chance that both these models insist on a form of performative spectatorship, based essentially on three concepts: presentness, immediateness and unframedness. The challenge p...

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Bibliographic Details
Main Author: Andrea D'Ammando
Format: Article
Language:English
Published: Milano University Press 2024-12-01
Series:AN-ICON
Subjects:
Online Access:https://riviste.unimi.it/index.php/anicon/article/view/24079
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