Spontaneity on parole
In recent years, participation and interactivity have become two key words in the vocabulary of art criticism. It is not by chance that both these models insist on a form of performative spectatorship, based essentially on three concepts: presentness, immediateness and unframedness. The challenge p...
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| Format: | Article |
| Language: | English |
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Milano University Press
2024-12-01
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| Series: | AN-ICON |
| Subjects: | |
| Online Access: | https://riviste.unimi.it/index.php/anicon/article/view/24079 |
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