Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting
This paper looks at the representation, in art, of three groups of people whose activities in the countryside and on the coast aroused conflicting reactions: moralists saw them as a threat to the social order, but they were rarely regarded as criminal within their own communities, and their status d...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2005-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/14124 |
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| author | Christiana Payne |
| author_facet | Christiana Payne |
| author_sort | Christiana Payne |
| collection | DOAJ |
| description | This paper looks at the representation, in art, of three groups of people whose activities in the countryside and on the coast aroused conflicting reactions: moralists saw them as a threat to the social order, but they were rarely regarded as criminal within their own communities, and their status depended on laws which many saw as unjust, or which were subject to change. Paintings of poachers were usually didactic in tone, representing the poacher as guilty and ashamed; the smuggler, however, was depicted in a much more positive light, as a heroic ‘free trader’; while wreckers were sometimes shown as poor people exercising their right to subsistence, sometimes as relics of a savage past, before the improvements brought about by lighthouses and lifeboats. J. M. W. Turner, David Wilkie, Edwin Landseer and Charles Napier Hemy are amongst the artists discussed. |
| format | Article |
| id | doaj-art-a673bc9a21784de982f0e20db2d2402f |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2005-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-a673bc9a21784de982f0e20db2d2402f2025-01-30T10:21:26ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492005-12-016110.4000/11s9bSmugglers, Poachers and Wreckers in Nineteenth-Century English PaintingChristiana PayneThis paper looks at the representation, in art, of three groups of people whose activities in the countryside and on the coast aroused conflicting reactions: moralists saw them as a threat to the social order, but they were rarely regarded as criminal within their own communities, and their status depended on laws which many saw as unjust, or which were subject to change. Paintings of poachers were usually didactic in tone, representing the poacher as guilty and ashamed; the smuggler, however, was depicted in a much more positive light, as a heroic ‘free trader’; while wreckers were sometimes shown as poor people exercising their right to subsistence, sometimes as relics of a savage past, before the improvements brought about by lighthouses and lifeboats. J. M. W. Turner, David Wilkie, Edwin Landseer and Charles Napier Hemy are amongst the artists discussed.https://journals.openedition.org/cve/14124 |
| spellingShingle | Christiana Payne Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting Cahiers Victoriens et Edouardiens |
| title | Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting |
| title_full | Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting |
| title_fullStr | Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting |
| title_full_unstemmed | Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting |
| title_short | Smugglers, Poachers and Wreckers in Nineteenth-Century English Painting |
| title_sort | smugglers poachers and wreckers in nineteenth century english painting |
| url | https://journals.openedition.org/cve/14124 |
| work_keys_str_mv | AT christianapayne smugglerspoachersandwreckersinnineteenthcenturyenglishpainting |