Efekty i atmosfery jako równoprawne środki budowania narracji filmowej w kinie głównego nurtu
In the existing literature on the subject, there is a prevailing belief that an increasing number of films are emerging in which the boundary between the soundtrack and the musical score is becoming increasingly blurred (L. Greene & D. Kulezic-Wilson, 2016; J. Napieralska, 2012). Advances in sou...
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| Format: | Article |
| Language: | English |
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Wydawnictwo Uniwersytetu Wrocławskiego
2025-05-01
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| Series: | Studia Filmoznawcze |
| Subjects: | |
| Online Access: | https://wuwr.pl/sf/article/view/18103 |
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