Vom Viereck zum Schwarzen Quadrat
Kazimir Malevič’s most famous painting was initially titled Quadrilateral when it was first presented. Only later was it given a new title and has since been known as Black Square. This essay examines the relationship between the painting and its title as two different yet contradictory levels of me...
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| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
Centre Interdisciplinaire d'Etudes et de Recherches sur l'Allemagne (CIERA)
2025-04-01
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| Series: | Tr@jectoires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/trajectoires/11262 |
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