Liberal Spaces: The Costs and Contradictions of Reproducing Hegemonic National Subjects in Ang Lee’s The Wedding Banquet and Brokeback Mountain

Abstract Focusing on director Ang Lee’s films The Wedding Banquet and Brokeback Mountain, this paper explores the ways in which Lee’s articulation of queer intimacy in liberal spaces reproduces the regulatory functions of patriarchal, late-capitalist Eurocentric discourses of modernity. Résumé C...

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Bibliographic Details
Main Author: Sarah Olutola
Format: Article
Language:English
Published: Mount Saint Vincent University 2015-09-01
Series:Atlantis
Subjects:
Online Access:https://140.230.24.104/index.php/atlantis/article/view/2866
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