Ut musica poesis : une formule impertinente et féconde pour penser l’opéra français des 17e et 18e siècles
The concept of Ut musica poesis, which has so often been used in studies of literature and music in the last thirty years, does not really account for the French opera of the 17th and 18th centuries. Far from positing the existence of a musical order as a model for language, the genre highlights int...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2010-10-01
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| Series: | Etudes Epistémè |
| Online Access: | https://journals.openedition.org/episteme/649 |
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