Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
In The Dreaming of the Bones, written after the turmoil of the 1916 Easter Rising, Yeats presents, following the Noh tradition model, a young rebel fugitive confronted by two ghosts, caught half-way between past and present, dream and reality. The figure of the past coming to haunt the present thus...
Saved in:
Main Author: | Pierre Longuenesse |
---|---|
Format: | Article |
Language: | deu |
Published: |
Conserveries Mémorielles
2016-06-01
|
Series: | Conserveries Mémorielles |
Subjects: | |
Online Access: | https://journals.openedition.org/cm/2206 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Yeats et le mélange des genres : du texte à la scène
by: Pierre Longuenesse
Published: (2015-05-01) -
Du Bestiaire dans le théâtre de W.B. Yeats
by: Pierre Longuenesse
Published: (2016-07-01) -
Le “Written Speech” yeatsien et ses expressions scéniques
by: Pierre Longuenesse
Published: (2013-06-01) -
"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
by: Michel Dufour
Published: (2008-05-01) -
Place et enjeux de l’objet voix dans les processus de filiation
by: Jean Michel Vivès
Published: (2024-02-01)