A Violent Need for Distance
In both Ian McEwan’s The Children Act and The Disappearance Boy by Neil Bartlett (2014), violence is first deciphered in the body contact which calls for a necessary distance between characters but also subplots, so that both protagonists and literary works might be autonomous. Such salutary distanc...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2017-03-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/4946 |
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