Warhol selon Avedon : le paradoxe en héritage ?
This paper links the iconographic tradition related to Saint Sebastian with Valerie Solanas’s « performance » as two visible legacies included in Warhol’s body as photographed by Avedon in his 1969 portrait entitled « Andy Warhol, Artist, New York City, 8/20/69 », in many ways a paradoxical portrait...
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| Format: | Article |
| Language: | English |
| Published: |
Association Française d'Etudes Américaines
2015-03-01
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| Series: | Transatlantica |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transatlantica/7067 |
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| Summary: | This paper links the iconographic tradition related to Saint Sebastian with Valerie Solanas’s « performance » as two visible legacies included in Warhol’s body as photographed by Avedon in his 1969 portrait entitled « Andy Warhol, Artist, New York City, 8/20/69 », in many ways a paradoxical portrait with an undecidable meaning arising from the tension between surface and depth, reflection and construction, clinical approach and staging. |
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| ISSN: | 1765-2766 |