Cadrer sans yeux

Drawing from gesture theory, the article investigates the engagement of the body when creating the filmic frame. As a medium of illusionistic movement that is obtained — in every one of its past phases — through a corporeal act, the cinematic machine itself implies its own gesturality, one that in s...

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Bibliographic Details
Main Author: Barbara Grespi
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2022-12-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/12600
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