Du départ immobile d’Alyam Alyam (1978) au « road movie inversé » de 143 rue du Désert (2019) : alternatives pour filmer les paysages du Maghreb
This paper examines Ahmed El Maânouni’s Alyam Alyam (1978) and Hassen Ferhani’s 143 Sahara Street (2019), focusing on how they film the landscapes in which they are set. Both deal with geographical movement, but in an unorthodox way: in El Maânouni’s case, his movie deals with emigration, but throug...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
CNRS Éditions
2025-06-01
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| Series: | L’Année du Maghreb |
| Subjects: | |
| Online Access: | https://journals.openedition.org/anneemaghreb/14669 |
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