Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale

Visual poetry is a hybrid genre that, by combining images of different natures and texts, triggers a psychic reaction of involvement or estrangement. Typically multimodal, the genre evolves around matter and language. The repositioning in the digital world of many visual poets has introduced an addi...

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Main Author: Silvia Pireddu
Format: Article
Language:English
Published: Associazione Ocula 2024-06-01
Series:Ocula
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Online Access:https://www.ocula.it/files/OCULA-30-PIREDDU-Dalla-materia-ai-pixel-note-sulla-poesia-visiva-tra-analogico-e
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author Silvia Pireddu
author_facet Silvia Pireddu
author_sort Silvia Pireddu
collection DOAJ
description Visual poetry is a hybrid genre that, by combining images of different natures and texts, triggers a psychic reaction of involvement or estrangement. Typically multimodal, the genre evolves around matter and language. The repositioning in the digital world of many visual poets has introduced an additional, "augmented", dynamic and performative dimension. The paper describes works with an anglosaxon cultural background attesting to the transition to the digital and the appearance of a further "semantic charge". In particular The Last Vispo Anthology of Visual Poetry 1998-2008 (Seattle, 2012), thingsithought.today by Lauren Holden and Enigma2022 by Jim Andrews.
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spelling doaj-art-8524ba6c44ff437987ab38d86c78a4352025-01-13T09:36:47ZengAssociazione OculaOcula1724-78102024-06-0125510.57576/ocula2024-8Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitaleSilvia Pireddu0Silvia Pireddu Dipartimento di Lingue e Letterature straniere e Culture moderne, Università di Torino, ITVisual poetry is a hybrid genre that, by combining images of different natures and texts, triggers a psychic reaction of involvement or estrangement. Typically multimodal, the genre evolves around matter and language. The repositioning in the digital world of many visual poets has introduced an additional, "augmented", dynamic and performative dimension. The paper describes works with an anglosaxon cultural background attesting to the transition to the digital and the appearance of a further "semantic charge". In particular The Last Vispo Anthology of Visual Poetry 1998-2008 (Seattle, 2012), thingsithought.today by Lauren Holden and Enigma2022 by Jim Andrews.https://www.ocula.it/files/OCULA-30-PIREDDU-Dalla-materia-ai-pixel-note-sulla-poesia-visiva-tra-analogico-evisual poetrycomplexityelectronic poetrymultimodal semioticsintermediality
spellingShingle Silvia Pireddu
Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
Ocula
visual poetry
complexity
electronic poetry
multimodal semiotics
intermediality
title Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
title_full Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
title_fullStr Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
title_full_unstemmed Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
title_short Dalla materia ai pixel. Note sulla poesia visiva tra analogico e digitale
title_sort dalla materia ai pixel note sulla poesia visiva tra analogico e digitale
topic visual poetry
complexity
electronic poetry
multimodal semiotics
intermediality
url https://www.ocula.it/files/OCULA-30-PIREDDU-Dalla-materia-ai-pixel-note-sulla-poesia-visiva-tra-analogico-e
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