Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form
False recapitulations are often cited as a hallmark of Joseph Haydn’s sonata-form style, exemplifying perhaps better than any other technique the composer’s witty and subversive engagement with formal conventions. However, closer scrutiny reveals that the concept of false recapitulation is based on...
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Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2013-01-01
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Series: | Zeitschrift der Gesellschaft für Musiktheorie |
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Online Access: | https://storage.gmth.de/zgmth/pdf/722 |
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