The Artwork as a Force Field: Theodor W. Adorno’s Aesthetic Configuration of Antagonisms
In this paper, my purpose is to take into serious consideration Adorno’s explicit conception of the artwork as a force field. With this expression he intends to emphasize the inner constitution of the artwork as a movement of antagonistic tensions, a dynamic of elements that are not simply juxtapose...
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| Format: | Article |
| Language: | deu |
| Published: |
Babeș-Bolyai University
2023-11-01
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| Series: | Studia Universitatis Babeș-Bolyai. Philosophia |
| Subjects: | |
| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/6666 |
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