Debunking the caged identity: Muthal Naidoo’s Flight from the Mahabarath as a Critique of the Epic Conformity
In her play Flight from the Mahabarath (1992), Muthal Naidoo takes out the women characters along with Arjun (in his queer identity as Brihannala) and Sikandi from the grand narrative of the epic space and sets them free on the performance/drama space to explore their identities beyond the tradition...
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| Format: | Article |
| Language: | English |
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Sarat Centenary College
2024-01-01
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| Series: | PostScriptum: An Interdisciplinary Journal of Literary Studies |
| Subjects: | |
| Online Access: | https://postscriptum.co.in/wp-content/uploads/2025/02/pS9.iAmritendu.pdf |
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