Il (neo)colonialismo allo specchio: Le vendredinnades di Abdellah Taïa
The present essay intends to analyse the theme of the Other in Moroccan francophone writer Abdellah Taïa’s works L’armée du salut and Celui qui est digne d’être aimé, and the intertextual relationship they maintain with André Gide’s Si le grain ne meurt. The partially problematic application of post...
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| Format: | Article |
| Language: | deu |
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University of Bologna
2025-06-01
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| Series: | Dive-In |
| Subjects: | |
| Online Access: | https://dive-in.unibo.it/article/view/22195 |
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