Représenter la victoire militaire d’une femme
The standard of Queen Gerberge is a device to demonstrate power, the outcome of a specific historical context, and it reflects both the special relationship of queens with power and the art of embroidery. Embroidery was a key means of expression for the women of the elite class during the early Midd...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2020-11-01
|
| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/9017 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832578431420727296 |
|---|---|
| author | Marjolaine Massé |
| author_facet | Marjolaine Massé |
| author_sort | Marjolaine Massé |
| collection | DOAJ |
| description | The standard of Queen Gerberge is a device to demonstrate power, the outcome of a specific historical context, and it reflects both the special relationship of queens with power and the art of embroidery. Embroidery was a key means of expression for the women of the elite class during the early Middle Ages, which allowed them to more easily leave their mark as forces of influence. The image here circumvents the impossibility of showing a woman as a warrior yet presents a demonstration of power through its materiality and its triumphant imperial iconography. It is also indicative of a time when sovereigns – in need of dynastic legitimacy for power they have usurped – attempted to consolidate their lineage, here with the use of imagery, on a volatile political chessboard. |
| format | Article |
| id | doaj-art-6d46ee6a804d4a0cbdabf848ea40990a |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2020-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-6d46ee6a804d4a0cbdabf848ea40990a2025-01-30T14:00:18ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2020-11-011510.4000/cel.9017Représenter la victoire militaire d’une femmeMarjolaine MasséThe standard of Queen Gerberge is a device to demonstrate power, the outcome of a specific historical context, and it reflects both the special relationship of queens with power and the art of embroidery. Embroidery was a key means of expression for the women of the elite class during the early Middle Ages, which allowed them to more easily leave their mark as forces of influence. The image here circumvents the impossibility of showing a woman as a warrior yet presents a demonstration of power through its materiality and its triumphant imperial iconography. It is also indicative of a time when sovereigns – in need of dynastic legitimacy for power they have usurped – attempted to consolidate their lineage, here with the use of imagery, on a volatile political chessboard.https://journals.openedition.org/cel/9017genderOttoniansCarolingiansqueenembroiderytextile |
| spellingShingle | Marjolaine Massé Représenter la victoire militaire d’une femme Les Cahiers de l'École du Louvre gender Ottonians Carolingians queen embroidery textile |
| title | Représenter la victoire militaire d’une femme |
| title_full | Représenter la victoire militaire d’une femme |
| title_fullStr | Représenter la victoire militaire d’une femme |
| title_full_unstemmed | Représenter la victoire militaire d’une femme |
| title_short | Représenter la victoire militaire d’une femme |
| title_sort | representer la victoire militaire d une femme |
| topic | gender Ottonians Carolingians queen embroidery textile |
| url | https://journals.openedition.org/cel/9017 |
| work_keys_str_mv | AT marjolainemasse representerlavictoiremilitairedunefemme |