Эволюция концепта скуки в творчестве Елены Шварц

This paper focuses on the concept of boredom in the creative work of one of the significant figures of Soviet underground culture – Elena Shvarts. All the creative heritage – both poetic and prosaic – is treated like a semiotic unity, so that it is possible to see the evolution in understanding suc...

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Main Author: Kristina Vorontsova
Format: Article
Language:deu
Published: Adam Mickiewicz University in Poznań 2023-06-01
Series:Studia Rossica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/strp/article/view/38650
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author Kristina Vorontsova
author_facet Kristina Vorontsova
author_sort Kristina Vorontsova
collection DOAJ
description This paper focuses on the concept of boredom in the creative work of one of the significant figures of Soviet underground culture – Elena Shvarts. All the creative heritage – both poetic and prosaic – is treated like a semiotic unity, so that it is possible to see the evolution in understanding such a notion during more than five decades of the poet’s life. While analyzing the five-volume collection by Shvarts, statistical calculation has revealed only 28 cases of using the concept. Even though for Shvarts’s lyrical subjects, who are usually passionate and ecstatically active, boredom is not specific at all, the author sometimes puts this concept in the meaningful center of her creative universe. It could be done both explicably and implacably through the description of “boring” landscapes and events. After close reading of the texts from the five-volume collection, it is claimed that boredom in Shvarts’s oeuvre is strictly associated to the physical (and\or physiological) world, with its routines, wishes and activities. To the contrast, the transcendental world and everything connected to the sacrum, according to Elena Shvarts, cannot be boring.
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spelling doaj-art-63e820bf09b84262aba3123d892cc8922025-01-03T00:53:17ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842023-06-0148110.14746/strp.2023.48.1.7Эволюция концепта скуки в творчестве Елены ШварцKristina Vorontsova This paper focuses on the concept of boredom in the creative work of one of the significant figures of Soviet underground culture – Elena Shvarts. All the creative heritage – both poetic and prosaic – is treated like a semiotic unity, so that it is possible to see the evolution in understanding such a notion during more than five decades of the poet’s life. While analyzing the five-volume collection by Shvarts, statistical calculation has revealed only 28 cases of using the concept. Even though for Shvarts’s lyrical subjects, who are usually passionate and ecstatically active, boredom is not specific at all, the author sometimes puts this concept in the meaningful center of her creative universe. It could be done both explicably and implacably through the description of “boring” landscapes and events. After close reading of the texts from the five-volume collection, it is claimed that boredom in Shvarts’s oeuvre is strictly associated to the physical (and\or physiological) world, with its routines, wishes and activities. To the contrast, the transcendental world and everything connected to the sacrum, according to Elena Shvarts, cannot be boring. https://pressto.amu.edu.pl/index.php/strp/article/view/38650boredomElena ShvartsSoviet poetrymemoirespostmodern
spellingShingle Kristina Vorontsova
Эволюция концепта скуки в творчестве Елены Шварц
Studia Rossica Posnaniensia
boredom
Elena Shvarts
Soviet poetry
memoires
postmodern
title Эволюция концепта скуки в творчестве Елены Шварц
title_full Эволюция концепта скуки в творчестве Елены Шварц
title_fullStr Эволюция концепта скуки в творчестве Елены Шварц
title_full_unstemmed Эволюция концепта скуки в творчестве Елены Шварц
title_short Эволюция концепта скуки в творчестве Елены Шварц
title_sort эволюция концепта скуки в творчестве елены шварц
topic boredom
Elena Shvarts
Soviet poetry
memoires
postmodern
url https://pressto.amu.edu.pl/index.php/strp/article/view/38650
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