La figure du réfugié ou les limites de la pensée binaire
This article examines Mohamed Mbougar Sarr’s Silence du chœur as a critique of the compartmentalization inherent in refugee status and its impact on our understanding of migration. The analysis begins by revealing how the concept of the refugee perpetuates binary divisions rooted in colonial thou...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2024-12-01
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| Series: | Il Tolomeo |
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| Online Access: | http://doi.org/10.30687/Tol/2499-5975/2024/01/005 |
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