Thomas Hirschhorn and the Anti-Monument. A Critical Reframing
This paper examines Thomas Hirschhorn’s artistic practice as an anti-monumental device that radically challenges the conventions of traditional monumentality. Through a comparative analysis of Gramsci Monument (2013) and Model for a Monument (2024), the essay highlights how the Swiss artist dismantl...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2025-06-01
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| Series: | piano b |
| Subjects: | |
| Online Access: | https://pianob.unibo.it/article/view/20087 |
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