Le baroque dépravé dans La Duchesse d’Amalfi de John Webster
In The Duchess of Malfi, baroque art appears an art of evil that Webster attempts to deconstruct. The baroque theatricality that serves to torture the Duchess and to put her to death is shown as depraved. Dissimulation and artifice eventually appear as the foundations of both a deadly aesthetics and...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Institut du Monde Anglophone
2006-04-01
|
| Series: | Etudes Epistémè |
| Online Access: | https://journals.openedition.org/episteme/2609 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | In The Duchess of Malfi, baroque art appears an art of evil that Webster attempts to deconstruct. The baroque theatricality that serves to torture the Duchess and to put her to death is shown as depraved. Dissimulation and artifice eventually appear as the foundations of both a deadly aesthetics and of a venomous society. It is all the more relevant to apply the baroque category to Webster’s play as it allows linking aesthetic forms and contemporary polemics: far from being self-reflexive, The Duchess of Malfi is part of the anti-catholic propaganda that was rife in Jacobean England. |
|---|---|
| ISSN: | 1634-0450 |