Le baroque dépravé dans La Duchesse d’Amalfi de John Webster

In The Duchess of Malfi, baroque art appears an art of evil that Webster attempts to deconstruct. The baroque theatricality that serves to torture the Duchess and to put her to death is shown as depraved. Dissimulation and artifice eventually appear as the foundations of both a deadly aesthetics and...

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Bibliographic Details
Main Author: Claire Gheeraert-Graffeuille
Format: Article
Language:English
Published: Institut du Monde Anglophone 2006-04-01
Series:Etudes Epistémè
Online Access:https://journals.openedition.org/episteme/2609
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