Rhythm Samaa

Rhythm, in Molana's great poetical sonnets, is one of the outstanding stylistic points in Molana's rhetoric and musical poems. His affinity with music and Samaa and his mystical appreciation of human internal Samaa as well as that in universe, resulted in such a variety in meters. The pres...

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Main Author: Mazaher Mosffa
Format: Article
Language:fas
Published: Semnan University 2020-02-01
Series:مطالعات زبانی و بلاغی
Subjects:
Online Access:https://rhetorical.semnan.ac.ir/article_4294_6f994f85da6bc5eb292cbed92814db9b.pdf
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author Mazaher Mosffa
author_facet Mazaher Mosffa
author_sort Mazaher Mosffa
collection DOAJ
description Rhythm, in Molana's great poetical sonnets, is one of the outstanding stylistic points in Molana's rhetoric and musical poems. His affinity with music and Samaa and his mystical appreciation of human internal Samaa as well as that in universe, resulted in such a variety in meters. The present text which is on meter and versification variety and its beauty and appropriateness with Molana's circumstances in Shams' sonnets, has been taken from Dr. Mazaher Mosaffa's lecture on Molana Commemoration in central library of Tehran University in 25 Dec. 1973. The lecture, along with 7 tables of sonnets' meters, was previously published in Rahnamaye Ketab (1975, Vols. 7-9) which truly witnesses his poetic dexterity on Farsi and Arabic versifications. To commemorate the most eminent prose and sonnet poet of our time, and with Dr. Amirbano Karimi Firouzkohi (Mosafa)'s attempt, a part of that valuable lecture is granted to be published here with no change.
format Article
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institution Kabale University
issn 2008-9570
2717-090X
language fas
publishDate 2020-02-01
publisher Semnan University
record_format Article
series مطالعات زبانی و بلاغی
spelling doaj-art-412a1887460041f4ac7a459e6e8cafc22025-01-15T08:10:29ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2020-02-01102092610.22075/jlrs.2020.42944294Rhythm SamaaMazaher Mosffa0Tehran UniversityRhythm, in Molana's great poetical sonnets, is one of the outstanding stylistic points in Molana's rhetoric and musical poems. His affinity with music and Samaa and his mystical appreciation of human internal Samaa as well as that in universe, resulted in such a variety in meters. The present text which is on meter and versification variety and its beauty and appropriateness with Molana's circumstances in Shams' sonnets, has been taken from Dr. Mazaher Mosaffa's lecture on Molana Commemoration in central library of Tehran University in 25 Dec. 1973. The lecture, along with 7 tables of sonnets' meters, was previously published in Rahnamaye Ketab (1975, Vols. 7-9) which truly witnesses his poetic dexterity on Farsi and Arabic versifications. To commemorate the most eminent prose and sonnet poet of our time, and with Dr. Amirbano Karimi Firouzkohi (Mosafa)'s attempt, a part of that valuable lecture is granted to be published here with no change.https://rhetorical.semnan.ac.ir/article_4294_6f994f85da6bc5eb292cbed92814db9b.pdfmeterversificationshamssamaarhythm
spellingShingle Mazaher Mosffa
Rhythm Samaa
مطالعات زبانی و بلاغی
meter
versification
shams
samaa
rhythm
title Rhythm Samaa
title_full Rhythm Samaa
title_fullStr Rhythm Samaa
title_full_unstemmed Rhythm Samaa
title_short Rhythm Samaa
title_sort rhythm samaa
topic meter
versification
shams
samaa
rhythm
url https://rhetorical.semnan.ac.ir/article_4294_6f994f85da6bc5eb292cbed92814db9b.pdf
work_keys_str_mv AT mazahermosffa rhythmsamaa