On Love and the Canon: H.D., Robert Duncan, and “Venice-Venus”
Robert Duncan’s The H.D. Book offers an alternative literary history of modernism and contemporary poetry that moves H.D., Pound, Lawrence and Williams to its center, and that thus positions poets influenced by these four (including himself) as foundational to the post-WWII era. He also offers a nar...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centre de Recherche "Texte et Critique de Texte"
2020-12-01
|
| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/9912 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | Robert Duncan’s The H.D. Book offers an alternative literary history of modernism and contemporary poetry that moves H.D., Pound, Lawrence and Williams to its center, and that thus positions poets influenced by these four (including himself) as foundational to the post-WWII era. He also offers a narrative of H.D.’s career that elevates her poetry over her prose, which he sees as impure, mired in venery. For Duncan, Venice and Venus are at the heart of the problem with H.D.’s “Venetian” middle career. This paper will plumb representations of Venice and Venus in H.D.’s Trilogy and Duncan’s “The Venice Poem,” demonstrating how what H.D. termed “Venice-Venus” is central to Duncan’s notion of the modern American literary canon. |
|---|---|
| ISSN: | 1272-3819 1969-6302 |