Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons
Since the 1980s, John Everett Millais’s emblematic oil painting, Ophelia (1851–1852) has been remarkably framed by feminist discourses on gender that convincingly demonstrated how the representation of female death could be linked to patriarchal tradition whose underlying discourse was to tame, cont...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2019-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cve/5438 |
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