Transformational Zones and Violent Encounters. Matthew Barney’s “The Order”
In “The Order,” Matthew Barney transforms the Guggenheim Museum into a space reminding of a computer game or sports-arena. The protagonist struggles his way through different ‘levels’ and at the heart of the setting, he is confronted with the para-athlete Aimee Mullins, a cyborg embodying the Deleuz...
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| Format: | Article |
| Language: | English |
| Published: |
University of Zadar
2014-06-01
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| Series: | [sic] |
| Online Access: | http://www.sic-journal.org/ArticleView.aspx?aid=250 |
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