Kenneth Loach’s Riff-Raff, Between the British Documentary Tradition and the Working-Class Cinema
Riff-Raff (1991) is analysed as a functional hinge between the British documentary movement of the twenties, the free cinema of the fifties and the present current of social films such as Trainspotting (1996), Brassed off (1996) or The Full Monty (1997). Kenneth Loach seems to have incorporated t...
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| Format: | Article |
| Language: | English |
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Universidad de Almeria
2001-01-01
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| Series: | Odisea |
| Online Access: | http://ojs.ual.es/ojs/index.php/ODISEA/article/view/60 |
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